Working from a London studio, every sculpture is shaped from paper clay — a blend of natural cellulose fibres and fine clay. There is no kiln, no wheel, and no mould. Each form is built slowly by hand, then left to air-dry at its own pace. As moisture leaves the clay over days or sometimes weeks, the surface shifts — edges soften, textures deepen, and subtle asymmetries emerge that could never be replicated. This unhurried process is central to the work: it produces pieces that carry the quiet imprint of time and touch.

The work draws on Wabi-Sabi — the Japanese philosophy that finds beauty in imperfection, impermanence, and the incomplete. An irregular rim, a slight lean, a crack sealed by the drying process — these are not flaws to correct but marks of character to preserve. Each sculpture is one of a kind, and that uniqueness is the point. In a world of mass production, these pieces offer something different: objects made slowly, with intention, where every surface tells the story of how it was made.

Paper clay is a naturally sustainable material — composed of plant-based cellulose fibres mixed with fine clay and water. Unlike traditional ceramics, these sculptures are air-dried rather than kiln-fired, dramatically reducing energy use. Offcuts and unused clay are reclaimed and reworked into new pieces, keeping waste to a minimum. The result is a practice rooted in environmental care: lightweight, sculptural forms made from the simplest of ingredients, shaped in a London studio with nothing more than hands, water, and time.